Saturday, 20 December 2014

A Brewster bird and some medieval history

A beautiful visitor to Budleigh's sister-town of Brewster on Cape Cod.  We have kingfishers of course!
Photo credit: Ryan Bushby

I do take an interest in the wonderful wildlife of Devon, and sometimes I blog about plants and creatures that I’ve photographed. But really I’m a bit of a dunce in such things: not observant enough about detail, and happy to enjoy them at a superficial level.

But every so often my eye is caught by a flash of unexpected colour or an exotic-sounding name.

Like the Glossy Ibis, a flock of which turned up at Budleigh’s Cricket Club some four years ago and which I wrote about at

And these things are worth recording on my ‘museum in cyberspace’. After all, Fairlynch’s Priscilla Carter Room does have a display area devoted to the wildlife of the Lower Otter Valley.

So I took special note of a recent Google news alert telling me that a rufous hummingbird had been “attending a feeder in Brewster for some time.”  

Rufous? Surely that should be Rufus, I thought, thinking of William the Conqueror’s son who succeeded to the English throne in 1087 AD on the death of his more famous father, and whom I’d always thought of as red-haired, hence his name.

But no, the Rufus name was apparently because of his ruddy complexion, I learn from the excellent Wikipedia.


Red-haired or ruddy-complexioned? So many uncertainties about King William II, portrayed here by an unknown artist

I learn also that the man was “a figure of complex temperament,” described in the Oxford Dictionary of National Biography as "a rumbustious, devil-may-care soldier, without natural dignity or social graces, with no cultivated tastes and little show of conventional religious piety or morality—indeed, according to his critics, addicted to every kind of vice, particularly lust and especially sodomy."  

Well, that's something they didn't teach us at school. 

Fascinating, and according to Wikipedia, therein lies an explanation for his possible assassination in the New Forest. The monument seen above makes no mention of those vices, by the way.

Sorry about the digression. 

Back to the birds.  The wonderful Wikipedia, to which I donate from time to time, tells me that I’m right! This beautiful creature’s Latin name is in fact Selasphorus rufus, a reference, I suppose, to its red neck which you can see in the above photo.

Plenty of other birds found on Cape Cod were mentioned in the Cape Cod Times article by E. Vernon Laux entitled Area bird counts recording rare, unexpected finds’ which I found at

Of course another reason for my interest in Selasphorus rufus is that it has been spotted in Brewster MA, where I continue to follow the news in the vague hope that one day our so-called twinning may become official.

Thursday, 18 December 2014

A picture perfect project

With so many artists, both professional and amateur, attracted by the picturesque East Devon landscape, it's no surprise that Fairlynch boasts a fine collection of works of art.

The Museum's Disposal and Acquisitions Committee has estimated that Fairlynch has around 400 sketches, drawings, original paintings and prints of local significance or by local artists.

Some of these paintings can now be viewed online thanks to a partnership between the Public Catalogue Foundation and the BBC. 

200,000 publicly owned oil paintings are held in institutions ranging from museums large and small to town halls, universities, hospitals and even fire stations.

However, four in five of these paintings are not on view. Over the last few years the PCF has been working closely with collections up and down the country to photograph such works of art and collate information about each painting.
The Foundation launched the project in summer 2011 with approximately 60,000 paintings. There are now over 210,000 paintings online.

Oil paintings at Fairlynch can now be viewed online by clicking on

Pictured above is 'Rainy Day' by George Ellis Carpenter MC, one of the paintings in Fairlynch now viewable on the PCF site.

To see how the Muse encouraged me to compose yet another piece of ‘glorious doggerel’ inspired by the painting click here   In due course, more information will be published about the artist.

A Hotelier's memories, by Iris Ansell: 2. On the sherry

Friend of Fairlynch Iris Ansell, who helps in the Museum’s Costume Department, recalls some memorable moments from her time as proprietor of Southlands Hotel in Budleigh Salterton

Like most hotels of a certain size, to elongate the season, those of us that could, took a coachload of pensioners, early and late season.

As we were newcomers to the hotel life, we employed a cook for the season. She was a treasure and stayed with us for many years. She did however enjoy a glass of sherry while waiting for everyone to be seated for dinner. (Pensioners who came on very reduced rates had fixed meals and times, so everyone arrived at the same time and took a while to be seated). 

Peg, as she was called, enjoyed her sherry, stirring her lovely home-made soup and waiting.

My husband bought sherry by the box, putting it on a shelf above the hatch where Peg was waiting with her soup. Unfortunately the tap came unattached and the sherry poured into the soup below. Peg calmly carried on stirring, and sent it out with the waitresses.

Everybody loved the soup, some even asked for seconds, and by the end of the meal we had a very “happy” dining room, with much laughter and even singing.

However we did notice quite a lot of early retirements, and luckily no ill effects.

A History of the Longcase Clock by Trevor Waddington Part 1

Lantern clock by William Bowyer c. 1630
© Trustees of the British Museum   

The British longcase or grandfather clock, as it became known after the popular song ‘My Grandfather’s Clock’ written by the American Henry C. Work in 1876, has its origins in the mid-17th century.   

The first domestic clocks to be housed in long cases were brass lantern clocks. Initially lantern clocks were hung high on the wall with the driving weights and ropes hanging down to the floor, the disadvantage of this being that children and domestic animals could interfere with the workings of the clock.  The solution to this problem was to house the clock in a long wooden case with a hood to access the dial and a lockable trunk door to give access to the weights.  The introduction of the anchor escapement and 39-inch (1-second beat) pendulum in 1671 made the need for a longcase even more necessary.

An architectural longcase clock by Ahasuerus Fromanteel, c.1665.  © Trustees of the British Museum 

Makers such as Edward East, Joseph Knibb and Thomas Tompion, who made clocks for royalty and the wealthy, made the first true longcase clocks in London during the last quarter of the 17th century.  These clocks usually had 8-day movements, square brass dials and were housed in finely proportioned ebonised cases of ‘architectural’ design. 

Longcase clock in marquetry case with scrolls, foliage and birds of paradise by John Draper 1700-1710
© Trustees of the British Museum   

Around 1700, cases of walnut or olivewood with veneered marquetry or parquetry (geometric) decoration became fashionable.  



The flat-top hoods often had barley twist columns and originally had carved pediments, of which few have survived.   

Many of these early longcases had a glass lenticle in the trunk to display the newly invented long or ‘Royal’ pendulum. 


 Image credit: Trevor Waddington

It should be noted that during the 17th and 18th centuries the name on the clock dial was normally that of the clockmaker.  The cabinetmaker who made the clock case was subordinate to the clockmaker and only very rarely ‘signed’ his work inside the case.  

[This article appeared previously in The Primrose, the newsletter of the Friends of Fairlynch Museum and Arts Centre. To be continued] 

Trevor Waddington is a retired Royal Navy engineer officer who ran an antique clocks conservation-restoration business in Wiltshire before moving to Budleigh Salterton in 2012. He is a Trustee of Fairlynch Museum.

Wednesday, 17 December 2014

A limerick: ‘Rainy Day’

There is a fine picture of rain
That I look at again and again.
For the artist, I’ve found,
Was a hero renowned
For a courage you could call insane.

This painting by  George Ellis Carpenter MC is part of Fairlynch Museum’s art collection. It shows Budleigh Salterton High Street and is entitled ‘Rainy Day.'  

 A fuller commentary on the work will be published in due course.


Thursday, 11 December 2014

Happy Christmas to Everyone from Fairlynch Museum

Party time at Bowmers for Fairlynch volunteers

 Fairlynch volunteers enjoyed an excellent evening at Bowmers in Budleigh High Street. A popular event at a great venue which is sure to be repeated. Here are some pics of the revellers.  

Not forgetting Claire Bowmer and her helpers:

Claire, second left, heads a friendly and welcoming team 

You can read news about Bowmers here